Introducing: Prinze George

Prinze George

Prinze George is an indie synth pop outfit based in Brooklyn and comprised of Naomi Almquist, Kenny Grimm, Stan Rapoport, and Andrew Santucci.  Still a fledgeling band, they’ve released three singles in the past year, but it was the second of the three that began garnering attention- Victor.  Naomi’s lead vocals thread themselves into the fabric of the synthetic- pulsating emotion.  They follow a formula championed by David Bowie- “We’ve got to create something that’s the same but really quite different“.  Prinze George is reveling within a pop schema while bringing their own flavor, and producing tracks that are abstract yet translate into many of our experiences.  For avid Pop fans there are many qualities to distinguish Victor from its counterparts.  Sia quality pop writing and finely tuned production- their tracks highlight my favorite facets of Pop song production that get lost in huge choruses- gently pulsating synthesizers, slight snaps, and elemental structures slowly growing alongside Naomis lyrics and vocals.  By the end of the song, as she chants, “Victor, you are not my father, you are not my lover, you are all the other“, chills run up and down my bones.  Beyond that she strikes a beautiful lyrical arc, having lead us through Victor’s deceptions and to a stark realization that he never filled some of her basic needs- comfort and passion.  But the song has its moments of lightness, like with the affected mmhmm‘s that occur in between the refrains of the first verse.  They are so perfectly sassy it reminds us Naomi is scorning a failed lover, more so than lamenting loss.

Most recently Prinze George have released their third single, This Time.  “I gave my mind to a game of cards… I never wanted your best regards“- it’s empowering to see that they are still delivering what’s great about Victor without being redundant.  Very well written lyrics and melodies guide the listener on an emotional journey and then thrust them into huge pop choruses that are likely to get their blood pumping.  Naomi packs a pressure punch of feeling in a simple oooh during the bridge, elevating simplicity to nuance and thoughtful delivery.  Stunning.

Also, check out their first single, Children in the Audience, below.

Ejecta – ‘Dominae’

ejecta

In my last post I criticized Kes for being overly sexualized (while still enjoying the EP), and yet I find myself venerating the new LP Dominae from Ejecta– an overtly yet artistically sensual experience.  Maybe I take issue with Kes not for being sexual, but for being too cotidian about it.  Where he sings about taking a girl home from the club and riding her, Ejecta paints a picture of the kind of sexual escapism and fantasy that’s way more fun to indulge in (and more fulfilling to explore).   Continue reading

Review – Chvrches: The Bones of What You Believe

CHVRCHES_2

REVIEW

CHVRCHES: The Bones of What You Believe

Essential Tracks: We Sink, Gun, Tether, Under the Tide, Lungs.

Rating: 9/10

Forget the entire ‘Roar’ vs. ‘Applause’ ordeal; this is the Pop act to be raving over.  Chvrches debut is overflowing with catchy melodies, intuitive songwriting, and chilling synths.

With The Bones of What You Believe’ Chvrches has given us a solid crossover record, full of hit making melodies above 80s synth driven loops, drawing directly on a lineage pioneered by the likes of New Order and Depeche Mode.  The songs seem simple but reveal layers in both intention and instrumentation, and while the melodies may seem tame, they support lyrics that are surprisingly dark, even emotionally grotesque in their vulnerability.  Matching that attitude Lauren Mayberry is the perfect front-woman: adorable yet vicious, outspoken yet frivolous.  She understands what drives synth pop and how to deliver something catchy yet meaningful, and DAMN these songs are catchy. 

Continue reading

Digits – Spacey RnB Synth Pop

386115430_640

Alt Altman, otherwise known as Digits, is an insanely talented technological prodigy.  You may think all it takes to create this sound is garage band, and you may be right, but Digits does so with a finesse and talent that can’t be reproduced.  His sound is so inherently futuristic, and yet completely present.  Lyrically Alt taps into aspects of modern day relationships that the millenials seem to struggle with.  Personally, his EP Where Do You Belong was the absolute best break-up record I could have found. Continue reading